Japanese modern music
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A country slightly larger than the United Kingdom about the size of California , Japan lies off the eastern coast of the Asian continent. Japan has a total land area of , square miles , square kilometers. Much of Japan is extremely mountainous and almost the entire population lives on only one-sixth of the total land area. Of all the world's major nations, the Japanese have the highest population density per square mile of habitable land. Japan has virtually no natural resources except those found in the sea.
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A Brief History of Japanese Pop (J-pop) Music
Western influences in modern Japanese music - Wikipedia
Early works of Japanese literature were heavily influenced by cultural contact with China and Chinese literature , and were often written in Classical Chinese. Indian literature also had an influence through the spread of Buddhism in Japan. Before the introduction of kanji from China to Japan, Japan had no writing system; it is believed that Chinese characters came to Japan at the very beginning of the fifth century, brought by immigrants from the mainland of Korean and Chinese descent. Early Japanese texts first followed the Chinese model,  before gradually transitioning to a hybrid of Chinese characters used in Japanese syntactical formats, resulting in sentences written with Chinese characters but read phonetically in Japanese. The Heian period has been referred to as the golden era of art and literature in Japan.
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Japanese Cultures, Customs and Traditions
In music , modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time. The operative word most associated with it is "innovation". Inherent within musical modernism is the conviction that music is not a static phenomenon defined by timeless truths and classical principles, but rather something which is intrinsically historical and developmental. While belief in musical progress or in the principle of innovation is not new or unique to modernism, such values are particularly important within modernist aesthetic stances.